Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Ukulele


Last Sunday, I did something I never imagined I could ever do. I played - and sang - at my first-ever music recital at Lula Lounge. I’ve never played an instrument, and have not sang (in public) since grade eight choir.

I cannot describe the simultaneous terror and exhilaration of this moment. After three months of one-on-one ukulele lessons, I got up on stage. My hands were sweaty, heart was racing, and legs were shaking. But somehow, I did it!

This personal milestone would not have been possible without my talented ukulele instructor - and duet partner, Abby. Tremendous thanks to Michael and Annie at MJMS for their support and encouragement through this entire journey. You have given me the joy of music. And big love to my friends and family who came out to cheer me on, especially Rob for shooting this photo. BFF that stands for us!

Michael Johnston Music School

I’m thrilled to share the new facade of Michael Johnston Music School, located at 2176 Dundas Street West. Four windows hand-painted with One Shot enamel paint. Gilding by Jesse Watson. Video by Peter Phoa. Special thanks to Michael and Annie for their support and enthusiasm. Stop by and check it out today!

Erik Blood


I'm so excited to share this project that has been 6 months in the making.

Erik Blood is a talented music maker and producer in Seattle, WA. He just released a new full length album called Lost in Slow Motion, available in digital, vinyl – and cassette tape! All three mediums feature his new custom wordmark, title and track listing, courtesy of yours truly.

Check out his music and videos on his website, and purchase the album here.

Thank again Erik for this great challenge – it was a blast!






(Photo credit: Erik Blood)

Pocket Concerts


A quick logo refresh for Toronto's Pocket Concerts.

Original branding here.

Cinerama: The Music of Nicole Lizée


I'm proud to share some recent design work for Music in the Barns. Be sure to check out their first event of the 2014, Cinerama: The Music of Nicole Lizée. From their website:
This not to be missed performance includes Lizée's signature turntables, as well as alt-instruments- stylophone and onmiphone, in an action-packed, one hour, intermissionless show. Surround projections will showcase the evening's crown jewel, Lizée’s Hitchcock Etudes, a reworking of the master of suspense's iconic movie moments, set to what will be the world premiere of Lizée's new arrangement of the work for string quartet, percussion and electronics.
Tickets and info here.

The Octopus Project


Back in March, I received a very nice email from a musician in Texas. He was inquiring to see if his band, The Octopus Project, could use my font Razorblade on their band's upcoming album artwork. After a couple logistical emails, I sent off the files.

Yesterday, I received a delightfully peculiar package in the mail (pictured above and below). What could this be...?

To my surprise, it was a care package from The Octopus Project, with a whole bunch of awesome Razorblade-flavoured materials, including:

handbill-sized postcards,

some wicked posters,

and the actual EP of their new album, Fever Forms.

And to top it all off, the record is electric orange!

A huge thanks to Josh and The Octopus Project for this wicked-fun collaboration, and for the generous credit on the album.

If experimental indie pop music tickles your fancy, be sure to check out their site here.

Pocket Concerts


Here is a logo I created for Pocket Concerts. From their website:
Pocket Concerts will bring some of the best chamber musicians in Toronto to your living room to perform fantastic music in an intimate setting. We are building up a network of homes in Toronto that will host once or twice per concert season. Pocket Concerts will be short (45 minutes), and we will jam that time with beautiful music. We will arrive ready to talk about ourselves and our repertoire, and will stick around after the concert for some social time and informal Q and A.
Below is one of the logo variations, business card and letterhead design, as well as a look at some of the process work.

If you live in Toronto and love chamber music, please check out their Pre-Season Sneak Preview this Sunday, August 11 from 3:00-6:00pm. Get your tickets here.

Shuffle Concerts


Above is a logo I created for Shuffle Concerts, a series of curated performances at the Toronto Summer Music Festival (July 16-August 3, 2013). From their website:
Inspired by the Shuffle function on an iPod, these informal, eclectic sampler performances are pay what you can and feature Festival Artists, special guests and next-generation emerging artists performing a wide range of musical offerings. These short (45 to 60-minute) concerts include informal, eclectic sampler performances by Festival Artists, special guests, and next-generation emerging artists. Featured guests include: Los Angeles Guitar Quartet, Mark Fewer, the Cimbalom sensation Alexandru Sura, and more!
Be sure to check out the final three performances tonight, Thursday, and Friday night. Tickets available here.

Music in the Barns


An extra-vertical, vintage streetcar stub-inspired posted for Music In The Barns' summer concert.

Light


A new poster for Music in the Barns Chamber Ensemble's Light, an "exploration of our relationship to light through composition and scientific imagery". Be sure to check it out this weekend:

Saturday, December 8
Artscape Wychwood Barns

Get your tickets here!

Born This Way

After listening to Gaga's new 21-track album on a loop for the last 24 hours (kidding), I am willing to put aside my hatred for the cover art and say that this album is a pop masterpiece. Let the summer of Gaga begin!

Born This Way review


When I first heard Lady Gaga's new track Born This Way on February 11, I was pleasantly surprised. It was catchy, memorable - the type of song that you find yourself belting out in the shower. And the song's message was, well, very positive: your are perfect just the way you are. Everyone likes to hear that, right? In a time when bullying and teen suicide is on the rise, Gaga's song fit right in (alongside Dan Savage's inspiring and hugely successful It Gets Better project). I won't lie - her message got to me.

Immediately, the media slammed her on two accounts. For one, she was accused of being a profiteer. Her song, which is blatantly pro-gay ("No matter gay, straight or bi, lesbian, transgendered life. I'm on the right track baby, I was born to survive"), was seen to be exploiting a troubled demographic. And while the song was marketed as a "gay anthem" (Gaga's bff, Elton John, deemed it the new I Will Survive), Gaga received a lot of backlash from the gay community:
"I sort of liked Gaga more when she sang about dancing as opposed to trying to be the voice of a generation."
Secondly, Gaga was ripped to shreds for unoriginality. Immediately, the haters accused her of copying Madonna - in particular, her track "Express Yourself" (1989). Listen here for an overlay.

Despite all this, I was still on team Gaga. The haters are clearly trying to make Gaga a scapegoat, and discredit her success. In a recent 60 Minutes interview with Anderson Cooper, Gaga said candidly,
"[people] want to see me fail. They want to see me fall on stage. They want to see me vomiting out of a nightclub ... Isn't that the age we live in? That we want to see people who have it all lose it all?"
And when it comes down to it, when is the last time you heard a song on the radio was pro-gay? I will also add that Born This Way is the fastest selling single in iTunes history, meaning that it's on a lot of iPods out there, and her pro-gay message is making its way into the public discourse. How can this be bad?

And as far as the originality claims, come on… have you listened to the radio lately? Everyone is copying everyone. (Have you heard this mashup of Katy Perry vs. Kei$ha? Or this comparison of Beyonce vs. Kelly Clarkson? It's the same song!) Some would say it is a symptom of postmodernism, others would say it's just formulaic pop music. Whatever. Artists draw influences from everywhere, and this a-okay with me. My favourite response from the internets (re: the Madonna flavour of the song) was that listening to Born This Way was "like being reacquainted with an old friend" - I can't agree more.

After seeing this explanation of the video, I feel as if I have little more to add to the discussion.
Yes, it's a little bizarre. Yes, it's a little disturbing. Yes, there is a bit too much dancing in underwear. But overall, I think it's an provoking piece of art. It's not my favourite video in her oeuvre - I think there were some missed creative opportunities. But every moment is deliberate, and as a whole, offers a unique, uncompromising vision.

Gaga has proved once again that she will not be defined simply as a pop star. She is an artist. She entertains. She provokes. She inspires. And she succeeds on all three accounts.

This video of last night's performance in Toronto, with 10 year old Maria Aragon, proves the point.

Born this way

Video just released moments ago... review coming soon.

Mandatory listening

Adele's new album, 21, is probably the best [auto-tune-free] album in recent memory. Raw, heart-wrenching, emotional - she reminds you what music should sound like. Go listen!

Born this way

The new Lady Gaga track, "Born this Way" is set to launch tomorrow, and will also be performed at the 53rd Annual Grammy Awards on Sunday. Can't wait to hear it!

Gaga, part 3


Lady Gaga returns to Toronto again March 3, 2011
(this time with Scissor Sisters!)
Time for a new album, Gaga...

Gaga, exposed?


...Gaga has borrowed so heavily from Madonna (as in her latest video-Alejandro) that it must be asked, at what point does homage become theft? However, the main point is that the young Madonna was on fire. She was indeed the imperious Marlene Dietrich’s true heir. For Gaga, sex is mainly decor and surface; she’s like a laminated piece of ersatz rococo furniture. Alarmingly, Generation Gaga can’t tell the difference. Is it the death of sex? Perhaps the symbolic status that sex had for a century has gone kaput; that blazing trajectory is over…
-Excerpt from a recent article by Camille Paglia in the Sunday Times Magazine

Summer of Alejandro


Three months after "Telephone", and just in time for summer, Gaga releases the new video for "Alejandro", directed by photographer Steven Klein.
Coming in at just under 9 minutes, this video stands out as much darker (literally and figuratively) than Gaga's past videos. The overall tone is somber, partly focussed around a funeral (of Alejandro himself?). Gaga takes on multiple roles in this ominous, male-dominated world, including that of a omniscient, monocled leader, perched in her crumbled tower, menacing like a science fiction villain. More notably, she also takes on the common archetypes of Madonna and whore, portrayed as a nun (donning a red pleather habit), as well as a hyper-sexual harlot engaging with multiple male partners in, what feels like, a male dormitory. While the plot is not entirely clear, it seems that the nun ultimately gives into desire, and becomes whore herself (perhaps against her will?) Nevertheless, the final image we see is of the nun, lying motionless in bed, with marionette strings attached to her and extending upwards into the darkness.
My first impression of "Alejandro" was a little tentative. Gaga recently stated: "'Alejandro' is a celebration of my love and appreciation for the gay community, my admiration of their bravery, their love for one another and their courage in their relationships." I think this video subtly touches on the heated 'Don't Ask, Don't Tell' debate; one minute, muscular military men are lounging in black bob wigs, fishnet stockings and dancing in corsets (a la "Rocky Horror Picture Show"), and the next minute, they are seen in compromising sex positions with Gaga herself. I think her commentary on the fluidity of sexuality and desire is admirable, but I'm not sure that it actually goes far enough to advance any progressive gay agendas.
Gaga's Madonna/whore imagery is clearly an ode to Madonna herself, and much of the visuals in the video are reminiscent of seminal, groundbreaking Madonna videos (Like a Prayer, Like a Virgin, Papa Don't Preach, Express Yourself, et al). Gaga's queen-like presence early in the video also harkens to Madonna's performance as Evita Perron (1996), which [not coincidentally] involved similar themes of power, sex, war and death (set in Argentina, I might add). The dramatic nun sex / dance sequence strikes a distinct resemblance to the memorable "Tango de Roxanne" sequence from Baz Luhrmann's 2001 "Moulin Rouge", where the rape of a high-class Parisian prostitute is underscored and heightened by a high-octane tango-rape reenactment. And finally, there appears to be glimpses of Bob Fosse's 1972 "Cabaret"; the imposing Nazi Germany tone is hard to ignore, Liza Minnelli's iconic style can be seen in Gaga's wardrobe and gestures, and again, we see parallel stories of vulnerable, polygamous women in tragic circumstances.
While this video may not be Gaga's strongest (or most original) conception, "Alejandro" manages to appropriate a plethora of ideas, icons and styles that may prove the oft-said notion: the whole is sometimes greater than the sum of its parts.
Watch it here.

Gaga on top


"She isn't a pop act, she is a performance artist. She herself is the art. She is the sculpture."
-Cyndi Lauper re: Lady Gaga making the Time Magazine 2010 Time 100 World's Most Influential People

Queen of the YouTubes


Lady Gaga's "Bad Romance" music video offiically takes the lead as most watched video on YouTube: 180,000,000 views to date...